Sabtu, 26 November 2011

PAKET 37 : RECORDING TUTORIAL ALL LEVEL

PAKET 37
RECORDING TUTORIAL ALL LEVEL
5dvd
50rb


Ini dia paket dvd tutorial terbaru dengan materi terlengkap utk semua level
Yg pasti materinya up to date & di sajikan oleh para masternya





The Art and Science of Sound Recording | 5.31 GB


In the Keyfax DVD instructional series, Alan Parsons Art & Science of Sound Recording, you'll go on a journey through sound and recording starting with the basics and exploring each major aspect of professional music production - all in spectacular HD quality! This three DVD set contains more than 10 hours of original material, led by master recording engineer Alan Parsons (The Beatles, Pink Floyd) himself.





In DVD 1 of Alan Parsons Art & Science of Sound Recording, Parsons outlines the history of recording and covers the essentials, including microphones, acoustics, MIDI, and more.
DVD 2 moves on to signal processors and effects, providing you with detailed descriptions and how-to instruction for a wide range of common studio gear.
DVD 3 covers recording individual instruments, for which Parsons brings in drum legend Simon Phillips (Todo, The Who, etc.) and Taylor Hawkins (The Foo Fighters). If you're looking for a great overview of recording techniques, the Alan Parsons Art & Science of Sound Recording DVD set is the perfect place to start! 



Studio Concepts, Gear & the Physics of Sound


The Ask Video Studio Concepts, Gear & the Physics of Sound 
takes you into the heart of audio engineering and sound recording in your home studio.
The Studio Concepts, Gear & the Physics of Sound DVD by Ask Video will teach you the fundamentals of sound engineering, which are crucial to your success in the studio. Understanding the physics of sound and how to properly use devices like compression will make all the difference in your recordings.
The tutorial's author, Jim Pavett, will give you a detailed overview on every aspect of the recording process, with hands on projects covering how to set up your monitors, how to handle phase issues, and how to properly place microphones. Although there is some theory involved everything is well explained, complete with hundreds of helpful visuals. Jim will take you through a complete journey of the fundamentals of audio recording.
The Ask Video Studio Concepts, Gear & the Physics of Sound Main Features Include:
  • 92 high quality professional videos
  • Over 3 hours of professional instruction
  • Extremely high quality tutorial videos
  • Easy to use interface
  • Mac OS X & Windows compatible
  • Example files included.
      1. 1. Introduction
        2. Sound Wave
        3. Phase
        4. Things to Do: Phase"
        5. Frequency"
        6. Frequency Responce
        7. Sensitivity
        8. Sound in it’s Environment
        9. Reality Check: Sound in it’s Environment
        10. Things To Do: Sound in it’s Environment
        11. The Model of a Recording System
        12. Reality Check – The Model of a Recording System
        13. Electronic Theory Basics
        14. Ohm’s Law"
        15. Circuit Example 1
        16. Circuit Example 2
        17. Circuit Example 3
        18. Reality Check: Electronic Theory Basics
        19. Things to Do: Electronic Theory Basics
        20. Decibels and Meters
        21. Headroom
        22. Dynamic Range
        23. Frequency Response
        24. Reality Check: Frequency Response
        25. Specifications
        26. Knowing Your Equipment
        27. Components of a Console/Equipment Routing
        28. Things To Do: Signal Routing
        29. Digital Console
        30. Compressor / Limiters
        31. Reality Check: Compressor / Limiters
        32. Things To Do: Compressor / Limiters
        33. Expansion / Gate
        34. Things To Do: Expansion / Gate
        35. Delay
        36. Things To Do: Delay
        37. Flange
        38. Phase
        39. Chorus
        40. Reverb
        41. Things To Do: Reverb
        42. Equalizer
        43. Things To Do: Equalizer
        44. Studio Monitors
        45. Microphones
        46. Dynamic
        47. Condenser
        48. Ribbon
        49. Tube
        50. Microphone: Transient Response
        51. Microphone: Patterns
        52. Cardioid
        53. Omni
        54. Bi-directional
        55. Microphone Impedance and Options
        56. Microphone Placement
        57. Microphone Placement: Acoustic Instruments
        58. Microphone Placement: Electric Guitar and Bass
        59. Microphone Placement: Vocals
        60. Microphone Placement: Drums
        61. Things To Do: Microphone Placement
        62. Electronic Impedance and Levels
        63. Things To Do: Electronic Impedance and Levels
        64. Cabling and Connectors
        65. MIDI
        66. AES/EBU
        67. S/PDIF
        68. Toslink
        69. ADAT
        70. TDIF
        71. MADI
        72. BNC
        73. SMPTE
        74. MTC
        75. USB
        76. FireWire 1394
        77. Solder Technique
        78. Reality Check: Solder Technique
        79. Patch Bays
        80. Connection and Configuration
        81. Reality Check: Patch Bays
        82. Things To Do: Patch Bays
        83. Introduction to Digital Audio Theory
        84. Definition of Digital Audio
        85. A/D Conversion
        86. Reality Check: Digital Audio Theory
        87. Clocking Setups
        88. Computer Interfaces
        89. Computers
        90. Installing Computer Interfaces
        91. Creating Your Own Studio
        92. Putting It All Together



The Basics of Modern Recording & Mixing, Vol.1&2 - Secrets of the Pros
English | DVD-Video | NTSC 720x486 | AC3 192 Kbps | 7.88 GB
Genre: eLearning

  • Learn how the best in the music biz make great recordings. This 2-DVD set leads you through the often mystifying details of setting up your studio recording and mixing. Find out how the best in the music biz make world-class records and learn how you can take advantage of decades of expert knowledge.

  • You don't need a lot of money to create professional recordings, but you do need the expertise. Secrets of the Pros will speed you through years of trial and error so you can focus on creating music instead of spending all your time trying to figure out the best way to make the gear work.



With over three hours of information, these DVDs will take you through standard methods of audio engineering that have been refined over decades by the best of the best.
If you were to closely observe the best producers and engineers in the audio world as they record, edit, and mix, you would see many of them using similar techniques. This is because almost every one of them learned their skills from a lineage of other top-notch talent in the audio production industry. This 2-DVD set will show you these techniques.
You will also hear a world-class studio designer show you easy and inexpensive ways to correctly set up your studio. This process is critical if you want to record and mix pro sounding tracks and have your mixes accurately translate from your studio to the outside world.
Topics
Mixing (techniques to vastly improve your mixes)
The Big Secret -- Acoustics and how to set up a studio (this chapter features one of the world's top studio designers talking about cutting edge, inexpensive ways to set up your studio)
Pre-Amps (what they are and why they are extremely important)
Typical signal routing scenarios
Loops (how to work them into you into your music)
Professional standard techniques for:
-- Recording vocals
-- Recording drums
-- Recording bass guitar
-- Recording electric and acoustic guitar
-- Keyboards, synths, and MIDI
-- Recording bass guitar, and much more...
Features
Over 3 hours of information!
World-class endorsements
Easy to follow and inexpensive
Review at your own pace



Everything You Need to Know About Setting Up A Bedroom Studio
DVDRip | 2006 | AVI | XviD | 720x544 | 29.97 fps | MP3, 95 kbps | Language: English | Run Time: 60 minutes | 700 MB


Finally, an inexpensive visual tutor to setting up a studio in your own home! With the advent of inexpensive home computer recording software, anyone with a computer and a few basic tools can record studio-quality music without leaving home. This DVD/booklet combination covers computers, microphones, mixers, monitors, audio interfaces, MIDI, cabling and much more.



Absolutely everything the beginner needs to know about putting together a home recording studio! Today's technology means it's easier than ever to build a high-quality recording studio in your bedroom or a spare room - but you'll need to know what equipment to buy, what it all does and how to set it up.

Trial and error can be expensive but this DVD gives you step-by-step advise from top industry professionals who explain exactly what the various pieces of gear do, how to choose them and how to use them.

Recording studio expert Danny Cope guides you through all the essential steps, unraveling technical terms and helping you to make intelligent choices about equipment. The right setup is the key to getting professional results and with this DVD, you can!


Utk memesan lihat di Tab Cara Memesan



Senin, 07 November 2011

PAKET 36 EWQL COLOSSUS

PAKET 36  :
EWQL COLOSSUS 
PC & MAC
8DVD 90rb



COLOSSUS is a massive 32 Gigabyte (not Megabyte) Virtual Instrument that covers all of
the basic musical genres, the way a keyboard workstation attempts to, except COLOSSUS offers
much higher quality instruments and dynamics than any keyboard available today.

COLOSSUS is an indispensable tool that you will reach for time and time again when nothing
else works, it will become your Swiss army knife of composing, and it's GENERAL MIDI
compatible! You can expect the usual QUANTUM LEAP exceptional quality in COLOSSUS.
Even if you own some of these instruments, you will love this collection. A good example is
the Fender Rhodes. Despite the fact the Rhodes has been sampled many times, COLOSSUS includes
a unique vintage sounding Rhodes you won't find anywhere else. COLOSSUS includes 15 Gigs of
new sounds recorded at Ocean Way Studio B (24-bit), a new 2 Gig piano recorded in Europe,
and 15 Gigs from the award-winning range of QUANTUM LEAP and EASTWEST titles, all newly
programmed with superior sound quality due to the features and improved audio quality of
the included Native Instruments KOMPAKT player.

Programming is kept very simple, and programs that utilize the mod-wheel are labeled
appropriately. All programs have CC11 as an additional volume control. Many programs utilize
auto sample alternation for added realism.

For touring musicians, this is the ultimate instrument to have on the road or in a club,
in fact, EASTWEST is also releasing a hardware rack-mount version of COLOSSUS called COLOSSUS
LIVE. COLOSSUS has incredible instruments of every type (check out the complete list at the
bottom of this page), for song-writing, filmscoring, multi-media
production, in the studio, or on stage, COLOSSUS is an indespensible tool that has you
completely covered.

VIRTUAL INSTRUMENT CONTENTS

DRUMS/PERCUSSION
Country Drumkits, Electronic Drumkits, Ethnic percussion, Funk Drumkits, Hip Hop Kits,
Jazz Drumkits, Rock Drumkits, Standard Percussion, Studio Drumkits, Taiko Drums

GUITAR FAMILY 60's
Guitars, 66 Silvertone Bass, 72 Rickenbacker Bass, Acoustic Guitars, Banjo, Blues Guitars,
Distorted Guitars, Electric Sitar, Fender Bass, Fender Guitars, Fretless Bass, Hawaiian Guitar,
Jazz Guitars, Lakland Rock Bass, Lapsteel, Mandolin, Nylon Guitar, PRS Guitars,
Rockabilly Guitar, Slap Bass, Stingray Bass, Surf Guitar, Ukelele, Upright Basses

ETHNIC
Agogo Bells, Bagpipes, Cora, Didjeridoo, Duduk, Dulcimer, Erhu, Fiddle, Irish Low Whistle,
Kalimba, Koto, Mid-East Strings, Ney Flute, Ocarina, Pan Flute, Sarangi, Shakuhachi, Shamisen,
Shehnai, Sitar, Thai Gong, Uilleann Pipes

KEYBOARD/MALLET
Accordian, Celeste, Church Organs, Concertina, Glockenspiel, Harpsichord, Marimba, Music Box,
Reed Organ, Tango Accordian, Vibraphone, Xylophone

ORCHESTRA
Bassoon, Brass Section, Cello, Clarinet, Concert Harp, Contrabass, English Horn, Flute,
French Horn, Oboe, Orchestra Hits, Orchestral Strings, Piccolo, Pizzicato Strings,
String Ensembles, Timpani, Tremelo Strings, Trombone, Trumpet, Tuba, Tubular Bells, Viola,
Violin

PIANO/E.PIANO
Clavinet, CP-80, DX-7, Fazioli F308 Grand Piano, GS-1 Programs, Honky Tonk, Rhodes MKV,
Chuck Monte, Steinway B Grand Piano

POP BRASS
3 Trumpets, Alto Saxes, Bari Saxes, Flugel Horn, Pop/Jazz Trumpets, Salsa Trumpets,
Soprano Saxes, Trombones, Tubas

CHOIR
(extensive vowels with crossfading) Men's Choir, Women's Choir

VINTAGE ORGANS
B3 Organs, Farfisa Organs, Vox Continental Organs

NEW AGE ENSEMBLES
(Inspiring ethno ethereal soundscapes)

STORMDRONE
(3 Gigs of dark atmospheres with morphing)

SYNTH BASSES
(with morphing)

SYNTH LEADS
(with morphing)

SYNTH PADS
(with morphing)

NO SAMPLER REQUIRED !

COLOSSUS comes as a VIRTUAL INSTRUMENT which includes a high-performance NATIVE INSTRUMENTS
interface powered by the efficient KONTAKT audio engine, including Direct-from-Disk*,
for Mac and PC (*With freely-downloadable Direct-from-Disk extension).

This VIRTUAL INSTRUMENT combines intuitive handling with excellent sound quality,
and functions as a plug-in instrument, without the need for a sampler.

For the sonically adventureous, many sound shaping tools have been built in to the interface.
Powerful multi-mode filters, envelopes, and LFOs give a wealth of creative possibilities.
Integrated high-quality reverb, chorus, and delay effects are also provided.

Direct from Disk playback easily handles large samples beyond available RAM (which is assignable).

Professional sound quality with advanced 32-bit processing, and 256 voice polyphony allow
for lush arrangements. The clean and intuitive interface never lets the technology get in
the way of your creativity. All important instrument parameters can be immediately adjusted
without the need to page, scroll, or fumble through a manual.

SYSTEM REQUIREMENTS

# 32 GB Free Hard Disc Space, DVD Drive

# MINIMUM REQUIREMENTS (for Native Instruments software)
# Windows XP, Pentium III/Athlon 500 Mhz, 256 MB RAM
# OS 10.2.6 or higher, G3 500 Mhz, 256 MB RAM

# RECOMMENDED SYSTEM (for Native Instruments software)
# Windows XP, P III/Athlon 700 MHz, 1 GB RAM
# OS-X or higher, G4 733, 1 GB RAM

# COMPATIBILITY
# WIN (VST®2.0, DXi2™, ASIO™, MME™, Direct Sound™)
# MAC (VST®2.0, ASIO™, Soundmanager™, OMS™, Audio Units™, Core Audio™, RTAS™)


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PAKET 35 EWQL Symphonic Choirs + Word Builder

PAKET 35 :

EWQL Symphonic Choirs
+ Word Builder  
PC & MAC
10 DVD 110rb

Review of East-West Symphonic Choirs

Symphonic Choirs is a sample library by East West/Quantum Leap.  Its is one of the many large sample libraries East West distributes which include Rare Instruments, or RA, Colossus, and of course, the Symphonic Orchestra, with its Silver, Gold and Platinum editions (and the newer "XP" upgrades of these).  I call these "The Big Four" of the East West/Quantum Leap Collection.  You may have seen them referred to by their initials, which can be confusing.  The Symphonic Choirs collection is sometimes referred to as EWQLSC, for, yep, you got it, East West Quantum Leap Symphonic Choirs.  We're just going to call it SC here.

SC comes on DVDs.  Like many large libraries, the samples are installed in protected containers on your hard drive, 27 to be exact, and each holds directories of samples, which the presets and word builder call up as needed.  SC comes with a special version of Kompakt by Native Instruments, which has several directories Multis (multichannel setups) and presets.  It also comes with a separate application called the Word Builder. The Word Builder also comes in the form of a MIDI type plugin for sequencers that support it.  
 
The Basic Preset Choirs    

The basic presets of the choir are, as you would expect, top notch.  They were recorded in the same concert hall as the Symphonic Orchestra collection.  Each choir comes recorded from 3 microphone positions, close, stage and hall.  You can  blend these instances to locate your choir in sonic space.  There are 5 choirs total:  Boys, Alto, Soprano, Basses and Tenors.  There are also solo singers.  Many presets implement "key switching".  For example, pressing C1 on the keyboard will give you one articulation of the choir, C#1 will call up another and so on.  This makes it so you can change the dynamics and modulation of the choir for every note if you wish, starting with a pure solo note and changing to a louder note with vibrato.  With care, and usually some editing of these switches in the sequencer, you can achieve realistic, even emotive, results.



The Word Builder

If they had stopped there, we would have a nice collection of choirs and that would be it.  But the programmers went further and took on an incredible initiative.  What if you could make the choir sing the words you input?  That is what the Word Builder does.  It allows you to type in words, which are translated into MIDI commands which call up consonants and vowels as they are needed, assembles them into words at the required pitch and sends them to your sequencer.  This is nothing less than revolutionary.  Its also a lot of midi controller and sample manipulation behind the curtain, and yes, it takes a big bite out of your CPU.  Those interested in SC should carefully consider whether you have a strong enough computer for it.  On my Mac G5 1.8 GHz with 6GB of Ram, it works acceptably, but my G5 clearly feels the strain when the Word Builder is running.
 
It takes a little while to wrap one's head around the Word Builder, but once you understand the signal flow it becomes easier.  Basically, the midi data from your keyboard goes in the Word Builder first, and then it is sent to the Symphonic Choir application (or plugin, if you are in a sequencer).  As an example, lets talk about how the Word Builder is used in Logic.

Logic, unfortunately has no MIDI plugin facility, so you have to run the Word Builder outside of Logic as a separate application.  The Word Builder will create four virtual in and out MIDI ports on the Mac which Logic will see.  In the environment you route the input object directly to these ports so they send all your keyboard controller's data to the Word Builder. That's right, when using the word builder this way you can't use your other instruments in Logic. The data exits the word builder and comes back into Logic via virtual ports as well, get directed back to the plugin and you hear sound and can record MIDI.  Once you get your choir midi tracks done you can restore Logic to normal operation and access the rest of your instruments. Those who are comfortable with re-routing the virtual cables in Logic's environment will not have trouble.   You probably could try to run SC as a standalone application outside of Logic as if it were an external synth, or on a second computer and send out the MIDI and stream in the audio.  

In Cubase, things are not as convoluted.  The Word Builder runs as a MIDI plugin in Symphonic Choir's MIDI chain. I only tried this once to verify it works and it does.  I think Cubase is a much better application for running the Word Builder.  Note that you can use SC without the Word Builder, but you won't be doing any custom phrases.

But once you have this setup, then the fun begins.  In the Word Builder you can choose from a list of Latin phrases, or you can type in your own (in English, phonetically, or in Votox)  The program will convert English phrases to either, so if you don't get the results you want you can edit in a language that better controls the vowels and consonants.  Of course you can have a lot of fun making the choir sing stuff no real choir would let you get away with.  Indeed those angelic voices can be quite profane if you want them to be, lol!  Just make sure the kids are in bed first, OK?  

Once you have your words setup you can play the notes.  Each note is a word (or syllable), and the next note is the next word in the phrase.  So you can adjust phrasing and speed by how fast you play and dynamic by how hard you play (velocity). You can also adjust the length of the notes in the Word Builder, and use the mouse to adjust fades and more.  In all, its quite ingenious.  

The Samples

The version of Kompakt supplied does not have a sample browser, so ironically, you might own SC and never see how many samples there actually are here.  However, if you own Kontakt, or the full version of Kompakt, you can get at the sample layer and use the samples to create your own choirs.  Personally, I think you are missing half the fun of owning this collection if you don't have Kontakt .  There are tons of samples in the collection, and if you are like me, you will want to put them together in strange harmonies, use them as percussive elements, and as parts of vocal wash soundscapes.  In Kontakt you can layer a few long samples on top of a synth pad for example and create some excellent sounding pads.  

What kind of samples are there?

Ok, lets make sure you have this straight.  There are no rock or pop, blues or hip hop vocal sounds in this collection. No ethnic voices (unless you consider Latin an ethnicity) no radio spot hits, barbershop, do wops, scooby doos or scatty cats.  This is a classical choir we have here, like the kind that perform in churches.  It has a definite dramatic, operatic character.  Its has its hues of otherworldliness, a touch of intrigue, and a lean towards Gregorian chanters, monks and nuns in exaltation.  The Full choirs have Ah, MM, Oh, with variations and the single choirs have a wide range.  All the vowels, consonants, and FX.  Effects?  You bet.  Staccato, slurs, shouts, and clusters.  The soloists effects include more clusters, whisper words, shouts, falls and more.  There's plenty to play around with without using the Word Builder.  Sometimes you just want straight ahead choir samples doing ahhs and oohs and yes, they are here to be racked, stacked, transposed and harmonized.  

The Sound

The samples sound excellent and with care assembling your choir track, breathtaking results are possible.  For me, it's definitely the first choice I go to when looking for a choir sound.  When you want your lyrics sung by a classical choir for your productions, its the only game in town.  It definitely not inexpensive as far as sample collections go, but its cheaper than hiring a choir.

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