PAKET 50 PIANO & KEYBOARD

PAKET 50 PIANO & KEYBOARD 12 dvd 140rb Bonus The Grand 2 jadi total 13 dvd

Synthogy Ivory Italian Grand Expansion VSTi RTAS AU HYBRiD DVDR
 5DVD | DVD1: 3.46GB | DVD2: 3.05GB | DVD3: 2.95GB | DVD4: 2.93GB | DVD5: 1.73GB

Ivory Italian Grand is now a complete Virtual Instrument, combining the extraordinary Italian 10 Foot Concert Grand Piano with Synthogy's award winning Ivory piano engine. The Italian Grand is a magnificent addition to Ivorys award-winning collection of pianos. Expertly regulated and recorded at the famed SUNY Purchase, concert hall in New York using Class-A equipment, this Italian 10 foot concert grand is well known for its dynamics, expressiveness and full-bodied character. Twelve velocity layers are included in this expansion pack, as well as soft pedal samples and release samples at multiple time and velocity levels.

FEATURES:

* Over 2000 samples, 19 GB

* 12 discrete velocity layers

* Una corda (soft) samples and release samples

* Plugs into Ivory version 1.6 and higher

* Takes full advantage of Ivorys new browser feature

Ivory 1.6 Browser Feature

Starting with Version 1.6, Ivory will boast a new browser feature. (Ivory 1.5 is automatically updated to 1.6 when installing the Italian Grand.) Click and hold on a Program or Session and a hierarchical list of presets will appear, organized by piano. Now its faster than ever to locate and load your favorite pianos. You may also organize your own programs and sessions

Important note:

Ivory Version 1.5 must already be installed in order to use this expansion pack.

Art Vista Virtual Grand Piano 2.3 (2010/ENG) | 6.21 GB

Art Vista Productions released the audio module Art Vista Virtual Grand Piano - a virtual piano-based Sampler Native Instruments Kontakt Player. Sound Library module includes samples of a concert grand of top-class 1960 Hamburg Steinway "B".

Sampled as a tool to "direct" sound, and with room acoustics. The presets are divided into 4 groups with different dynamic response, for compatibility with any keyboard. The module includes more than 200 presets, including simulating the technical parameters of the most famous piano recordings in various styles, from 1950 to 2005. Reproduced by different dynamic characteristics play an instrument, the relevant genres of classical, pop, rock, and gospel ldaza. Virtual Grand Piano is available for Windows and Mac OS X in the formats VST, DX, AU, RTAS, and as a standalone program.

Year: 2010

Name of Program: Art Vista Virtual Grand Piano

Software version: 2.3

Latest version: 2.3

Language: ENG

Treatment: Complete

Type of medicine: crack

System requirements:

Minimum Requirements

6.0 GB Free Hard Disc Space

DVD Drive

Windows XP or Vista 32bit or Win7, Pentium 4/Athlon 1.8 GHz

Mac: OS 10.4 or later, G5

512 MB RAM

The Kontakt Player needs a soundcard for playing the sounds of Virtual Grand Piano. Standard DirectSound, MME or ASIO drivers required; Windows-compatible MIDI hardware if required. The Kontakt audio engine is designed to make use of the processing power of your computer's CPU. The powerful and complex algorithms of the Kontakt Player work best on modern CPUs.

Recommended Requirements

6.0 GB free hard disk space; 7,200 rpm hard disk speed

DVD-ROM drive

Windows XP, Pentium 4/Athlon 2.4 GHz or faster

Mac OS 10.4 or later, G5 1.6 GHz or faster

A MIDI interface is required if you are using a MIDI keyboard, another MIDI controller or an external sequencer. The MIDI interface integrated in many sound cards can also be used.

We recommend 1 GB or more of RAM. The more RAM the better.

The Kontakt Player needs an audio card for playing the sounds of Virtual Grand Piano. Standard DirectSound, MME or ASIO drivers are required. Windows-compatible MIDI hardware is required. The Kontakt audio engine is designed to make use of the processing power of your computer's CPU. The powerful and complex algorithms of the Kontakt Player work best on modern CPUs.

Please also observe the system requirements of your host application.

Compatibility

Windows XP (Standalone, VST ®, DXi 2.0 ™, ASIO ™, MME ™, Direct Sound ™, RTAS ™)

Mac OS 10.4 or later (Standalone, VST ®, ASIO ™, Audio Units ™, Core Audio ™, RTAS ™)

Size: 6.06 GB

Art Vista Virtual Grand Piano - Hamburg Steinway B Concert Grand has been digitized and converted into a VSTi in order, so you can enjoy realistic sound of a piano, without leaving her room. It consists of seven major presets: Classic Piano, Pop Piano, Jazz Piano, Gospel Piano, Rock Piano, Light Piano, Pompressed Piano. Archive of the distribution of the instrument is unpacked in volume 6 Gb. The tool has eight adjustable parameters of sound.

The choice fell on this organ because of its unbelievable power and sonority. Its volume is able to fill sovereignly the vast nave. Its impressive percussive quality in the development of sound is an ideal case for recording samples. 

The great organ by Pierre Schyven /Salomon van Bever (1874/1912) is a discovery. Being the second greatest instrument of its builder it stands in the tradition of the symphonic organ in Belgium. Cavaille-Coll held Schyven in high regard and even today one can hear why. 

The natural reverberation of the cathedral is given upon key-release. When you let the key go, a second sample is played, showing the rich reverberation, which was not manipulated. This release reverberation tail was recorded in the cathedral itself and is still part of the original sample. This idea was used in SOS-1 "La Madeleine" for the first time ever and there are good reasons for applying this original reverberation for SOS-2 once more. 

All stops were sampled in Thirds. The true nature and charakter of each pipe was captured. Every single tone is 30 seconds long for the stops of the manuals. The lenght of the pedaltones is 60 seconds. 

All tones are not looped in any way. Looping actually represents the adding of information to the original material, and so it is no longer left original. 

All instruments have got 18 multisamples recorded in stereo which can be played from C up to c4. Some rare stops with exceptional spectrums of their overtones were captured chromatically. These instruments consist of 55 multisamples. 

Each stop was sampled with the smallest headroom using two Neumann KM 130 microphones and a very good SPL Pre-Amp direct to a Digital Audio Tape. No dithering of the Samples was made. Sounddesign was carried out with Samplitude in two steps only: 1.) Cutting the samples, 2.) For the reverb tails in some stops of the manual we used the FFT-Analyzer cutting off the frequencies below the groundtone, because of the trucks driving around the cathedral during the night. In the spectrum of the overtones NO sounddesign whatever was admitted! 

Every manual was captured separately, that is without using the couplers. These couplers are easy to combine with the ports and channels in Samplers. 

What is more, no kind of noisereduction was applied. Thus the noise of the winding system and the bellows can clearly be heard. Our goal was to give the most clear reproduction of this great organ, only orientated on the musicality. 

Hear the demos. Little improvisations can give you an impression which enormous potential this soundlibrary gives to you fingertips. Comes with a voluminous manual on DVD...

PETER GABRIEL selects EASTWEST/PMI BOSENDORFER 290 for his GROWING UP world tour. 

AWARDED 5 OUT OF 5 STARS FROM SOUND ON SOUND MAGAZINE 

"As a musical instrument the Grandioso 290 really is a complete joy to play: the programming is first-rate, and the attention to detail is almost unparalleled... 

The response between the layers is totally transparent and natural .... 

the Bцsendorfer 290's sonic qualities should make it appeal to a wide range of musicians for western art, jazz and some rock styles..." Mark Wherry, SOUND ON SOUND UK. 

"Bottom line: This is the acoustic piano sample library to beat." John Krogh and Ernie Rideout, KEYBOARD USA. 

"The first time I played the Bosendorfer samples in Logic I was very impressed with the sound quality. It sounds rich. The sustain is great. Michiel did a great job recording these piano samples. As a pianist who is used to playing the best pianos I am confident this is the best choice out there”. Jetro da Silva (Piano Department at BERKLEE COLLEGE OF MUSIC in Boston and Pianist/keyboardist for WHITNEY HOUSTON). 

The 5-star awarded PMI Bцsendorfer 290 is simply the best sampled Bцsendorfer 290 Grand Piano on the planet - and now it's available as a 24-bit plug-in (MAC and PC) for the first time. 

This pristine piano library has finally captured all of the beauty of this piano. Up to 16 velocity layers, true release samples, true repedalling and two different microphone positions (close and ambient) for ultimate ambience control... and best of all: it sounds as good as the real thing! This Plug-In version comes with 28 programs (9 DRY programs, 9 WET programs (with and without true real-time repedalling), 3 Dry & Wet layered programs and several FX variations. The bass of this instrument is absolutely huge with a very focused pitch.

Bardstown Audio Bösendorfer Imperial Grand 24 BiT MULTiFORMAT | 2.17 GB

Format: EXS24 HALion KONTAKT

This 9 1/2 foot concert grand piano is Bösendorfer’s top of the line. The extra lower bass strings give superior resonance to this world class concert grand piano.We have sample recorded this piano in a concert performance hall with four velocities of pedal up, four velocities of pedal down, and release trigger samples. This piano is one and a half gigabytes and is available in Giga, EXS24, HALion and Kontakt formats.

This 9 1/2 foot concert grand piano is Bosendorfer’s top of the line. The extra lower bass strings give superior resonance to this world class concert grand piano. There are four velocity layers of pedal up samples, four velocity layers of pedal down samples, and release note off samples. The release “note off” samples very nicely capture the ambient sound of the performance hall in which this Bösendorfer Imperial was sample recorded. These are all actual sample recorded velocity layers and without any filtering in order to produce additional “fake” velocity layers, such has been done by other developers who claim to have eight to sixteen layer sampled pianos.

Many other current sampled pianos claiming to have eight to sixteen velocity layers have been produced by only sample recording two or three actual velocity layers, and then applying low pass filtering onto those samples in order to produce up to sixteen “fake” velocity layers, and also with only every second or third note sample recorded, and with the rest of the notes being pitch shifted from those notes. Sample editing methods used by these developers who “streamline” their work include batch auto cropping of samples, and a great deal of batch processing for many different processes. These sampling “shortcut” methods are much quicker, easier, and with much less work involved in producing a sampled instrument. The quality of sound of any sampled acoustic instrument, which has been produced with these fast streamlined methods of low pass filtering for producing multiple fake velocities, pitch shifting of notes, auto cropping, and batch proce

Each and every note of the Bardstown Audio Bösendorfer Imperial was sample recorded at all four velocity levels and articulations of pedal up, pedal down, and release, and with no pitch shifting of any notes of nalkxava. In other words, each and every note of the eighty-eight keys on this sampled Bösendorfer Imperial has been sample recorded nine different ways, for a total of 792 recorded samples. All sampled notes on “all” sampled instruments produced by Bardstown Audio have been edited and tweaked by hand, one note at a time, and with no quick streamlining methods or batch processing whatsoever.

The most advanced state of the art recording techniques and world class recording equipment were used to sample record this Bösendorfer Imperial in a world class performance hall.

This sampled Bösendorfer Imperial is considered by the vast majority of people to be the best sounding and most playable sampled piano in the world.

Tonehammer Lakeside Organ EXS24 KONTAKT DVDR 

Each pipe produces sound of one fixed pitch, so they are provided in sets with one pipe or more per note, each set or stop having a common timbre and loudness throughout. The Lakeside Organ has multiple sets of pipes of differing timbre, pitch and loudness which the player can employ singly or in combination. The actual organ is made from three keyboards, played by the hands, and a pedal board for bass notes, played by the feet, each of which controls its own group of stops. We carefully recorded the organ at a variety of different settings, which allows the user to control the timbre of the organ. We recorded five different settings comparably from PP to FF. All settings recorded at two microphone positions (close/far), so user have ultimately flexibility between 10 different organ settings. Additionally we realized that many other organ sample libraries use noise reduction, which gives a more polished/clinical sound to the organ. We decided to take the opposite approach and allow all the air sounds in the library, since a variety of the “noise” is the air produced by the pipes. This means that the organ has a more full and airy sound (especially in softer settings), which gives a more emotional expression.

Features:

* 5 Different Organ Settings (Equivalent to PP, P, MP, MF, FF).

* Close and Far microphone positions for all settings.

* All notes on organ sampled (no interval sampling).

* All notes sampled with release triggers.

* Acoustic recording without noise reduction.

* Additional foot basses in forte patches.

* Additional bell/chimes included.

* Additional session recordings, FX, live organ demos and hall sounds.

* Extensive read me install, patch and hint documentation (.pdf) (download here).

* Listen exclusive interview w/ Don Sears, Lakeside Organist / Musical Director (mp3 interview).

* 15 instrument patches, 1,584 samples, 1,75 GB installed, 978 MB .rar download.

* Sample resolution: 44.1Khz/16Bit stereo and stereo .wav format.

* Format(s): Kontakt 2 and .wav (Note: Native Instruments Kontakt 2.2.4 / 3 full stand-alone retail versions required).

BONUS :

Steinberg The Grand VSTi DXi 2.1 INTERNAL - AiRISO | 1.63 GB

Due to massive popular demand we completely reworked our old driver based dongle emulator to work together with our new SynsoEmu, we removed the driver and made it dll-based. All releases have been rebuild, repacked, updated and made compatible to run on modern operating systems like Windows Vista/Seven After 10 years of SyncroSoft ownage it%27s time we move on ... We hope you enjoy this final RETRO summer release ...

The Grand affords you an experience you?ll not soon forget - the jaw-dropping sound and inimitable feel of a high-quality concert grand piano. This VST instrument%27s breathtaking authenticity and extraordinary dynamic response make it a must-have for every pianist. Make no mistake - it is the only alternative to a bona fide concert grand.

Two top-flight concert grand pianos in one virtual instrument

Utterly authentic piano sound that comes courtesy of two of the world%27s finest, most expensive and rarest concert grands

Full-length sustain samples, no loops, with every key sampled individually at varying velocities

Unrivalled dynamic response

Amazingly authentic sustain pedal resonance, damper and hammer emulations Velocity adapts individually to suit your touch, style of play and keyboard%27s response

Powerful options for tweaking tone and variable room simulations

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