| PAKET 50 PIANO & KEYBOARD 12 dvd 140rb
Bonus
The Grand 2 jadi total 13 dvd
|
Synthogy Ivory Italian Grand Expansion VSTi RTAS AU HYBRiD DVDR
5DVD | DVD1: 3.46GB | DVD2: 3.05GB | DVD3: 2.95GB | DVD4: 2.93GB | DVD5: 1.73GB
5DVD | DVD1: 3.46GB | DVD2: 3.05GB | DVD3: 2.95GB | DVD4: 2.93GB | DVD5: 1.73GB
Ivory
Italian Grand is now a complete Virtual Instrument, combining the
extraordinary Italian 10 Foot Concert Grand Piano with Synthogy's award
winning Ivory piano engine. The Italian Grand is a magnificent addition
to Ivorys award-winning collection of pianos. Expertly regulated and
recorded at the famed SUNY Purchase, concert hall in New York using
Class-A equipment, this Italian 10 foot concert grand is well known for
its dynamics, expressiveness and full-bodied character. Twelve velocity
layers are included in this expansion pack, as well as soft pedal
samples and release samples at multiple time and velocity levels.
FEATURES:
* Over 2000 samples, 19 GB
* 12 discrete velocity layers
* Una corda (soft) samples and release samples
* Plugs into Ivory version 1.6 and higher
* Takes full advantage of Ivorys new browser feature
Ivory 1.6 Browser Feature
Starting
with Version 1.6, Ivory will boast a new browser feature. (Ivory 1.5 is
automatically updated to 1.6 when installing the Italian Grand.) Click
and hold on a Program or Session and a hierarchical list of presets will
appear, organized by piano. Now its faster than ever to locate and load
your favorite pianos. You may also organize your own programs and
sessions
Important note:
Ivory Version 1.5 must already be installed in order to use this expansion pack.
Art Vista Virtual Grand Piano 2.3 (2010/ENG) | 6.21 GB
Art
Vista Productions released the audio module Art Vista Virtual Grand
Piano - a virtual piano-based Sampler Native Instruments Kontakt Player.
Sound Library module includes samples of a concert grand of top-class
1960 Hamburg Steinway "B".
Sampled
as a tool to "direct" sound, and with room acoustics. The presets are
divided into 4 groups with different dynamic response, for compatibility
with any keyboard. The module includes more than 200 presets, including
simulating the technical parameters of the most famous piano recordings
in various styles, from 1950 to 2005. Reproduced by different dynamic
characteristics play an instrument, the relevant genres of classical,
pop, rock, and gospel ldaza. Virtual Grand Piano is available for
Windows and Mac OS X in the formats VST, DX, AU, RTAS, and as a
standalone program.
Year: 2010
Name of Program: Art Vista Virtual Grand Piano
Software version: 2.3
Latest version: 2.3
Language: ENG
Treatment: Complete
Type of medicine: crack
System requirements:
Minimum Requirements
6.0 GB Free Hard Disc Space
DVD Drive
Windows XP or Vista 32bit or Win7, Pentium 4/Athlon 1.8 GHz
Mac: OS 10.4 or later, G5
512 MB RAM
The
Kontakt Player needs a soundcard for playing the sounds of Virtual
Grand Piano. Standard DirectSound, MME or ASIO drivers required;
Windows-compatible MIDI hardware if required. The Kontakt audio engine
is designed to make use of the processing power of your computer's CPU.
The powerful and complex algorithms of the Kontakt Player work best on
modern CPUs.
Recommended Requirements
6.0 GB free hard disk space; 7,200 rpm hard disk speed
DVD-ROM drive
Windows XP, Pentium 4/Athlon 2.4 GHz or faster
Mac OS 10.4 or later, G5 1.6 GHz or faster
A
MIDI interface is required if you are using a MIDI keyboard, another
MIDI controller or an external sequencer. The MIDI interface integrated
in many sound cards can also be used.
We recommend 1 GB or more of RAM. The more RAM the better.
The
Kontakt Player needs an audio card for playing the sounds of Virtual
Grand Piano. Standard DirectSound, MME or ASIO drivers are required.
Windows-compatible MIDI hardware is required. The Kontakt audio engine
is designed to make use of the processing power of your computer's CPU.
The powerful and complex algorithms of the Kontakt Player work best on
modern CPUs.
Please also observe the system requirements of your host application.
Compatibility
Windows XP (Standalone, VST ®, DXi 2.0 ™, ASIO ™, MME ™, Direct Sound ™, RTAS ™)
Mac OS 10.4 or later (Standalone, VST ®, ASIO ™, Audio Units ™, Core Audio ™, RTAS ™)
Size: 6.06 GB
Art
Vista Virtual Grand Piano - Hamburg Steinway B Concert Grand has been
digitized and converted into a VSTi in order, so you can enjoy realistic
sound of a piano, without leaving her room. It consists of seven major
presets: Classic Piano, Pop Piano, Jazz Piano, Gospel Piano, Rock Piano,
Light Piano, Pompressed Piano. Archive of the distribution of the
instrument is unpacked in volume 6 Gb. The tool has eight adjustable
parameters of sound.
The
choice fell on this organ because of its unbelievable power and
sonority. Its volume is able to fill sovereignly the vast nave. Its
impressive percussive quality in the development of sound is an ideal
case for recording samples.
The
great organ by Pierre Schyven /Salomon van Bever (1874/1912) is a
discovery. Being the second greatest instrument of its builder it stands
in the tradition of the symphonic organ in Belgium. Cavaille-Coll held
Schyven in high regard and even today one can hear why.
The
natural reverberation of the cathedral is given upon key-release. When
you let the key go, a second sample is played, showing the rich
reverberation, which was not manipulated. This release reverberation
tail was recorded in the cathedral itself and is still part of the
original sample. This idea was used in SOS-1 "La Madeleine" for the
first time ever and there are good reasons for applying this original
reverberation for SOS-2 once more.
All
stops were sampled in Thirds. The true nature and charakter of each
pipe was captured. Every single tone is 30 seconds long for the stops of
the manuals. The lenght of the pedaltones is 60 seconds.
All
tones are not looped in any way. Looping actually represents the adding
of information to the original material, and so it is no longer left
original.
All
instruments have got 18 multisamples recorded in stereo which can be
played from C up to c4. Some rare stops with exceptional spectrums of
their overtones were captured chromatically. These instruments consist
of 55 multisamples.
Each
stop was sampled with the smallest headroom using two Neumann KM 130
microphones and a very good SPL Pre-Amp direct to a Digital Audio Tape.
No dithering of the Samples was made. Sounddesign was carried out with
Samplitude in two steps only: 1.) Cutting the samples, 2.) For the
reverb tails in some stops of the manual we used the FFT-Analyzer
cutting off the frequencies below the groundtone, because of the trucks
driving around the cathedral during the night. In the spectrum of the
overtones NO sounddesign whatever was admitted!
Every
manual was captured separately, that is without using the couplers.
These couplers are easy to combine with the ports and channels in
Samplers.
What
is more, no kind of noisereduction was applied. Thus the noise of the
winding system and the bellows can clearly be heard. Our goal was to
give the most clear reproduction of this great organ, only orientated on
the musicality.
Hear
the demos. Little improvisations can give you an impression which
enormous potential this soundlibrary gives to you fingertips. Comes with
a voluminous manual on DVD...
PETER GABRIEL selects EASTWEST/PMI BOSENDORFER 290 for his GROWING UP world tour.
AWARDED 5 OUT OF 5 STARS FROM SOUND ON SOUND MAGAZINE
"As
a musical instrument the Grandioso 290 really is a complete joy to
play: the programming is first-rate, and the attention to detail is
almost unparalleled...
The response between the layers is totally transparent and natural ....
the
Bцsendorfer 290's sonic qualities should make it appeal to a wide range
of musicians for western art, jazz and some rock styles..." Mark
Wherry, SOUND ON SOUND UK.
"Bottom line: This is the acoustic piano sample library to beat." John Krogh and Ernie Rideout, KEYBOARD USA.
"The
first time I played the Bosendorfer samples in Logic I was very
impressed with the sound quality. It sounds rich. The sustain is great.
Michiel did a great job recording these piano samples. As a pianist who
is used to playing the best pianos I am confident this is the best
choice out there”. Jetro da Silva (Piano Department at BERKLEE COLLEGE
OF MUSIC in Boston and Pianist/keyboardist for WHITNEY HOUSTON).
The
5-star awarded PMI Bцsendorfer 290 is simply the best sampled
Bцsendorfer 290 Grand Piano on the planet - and now it's available as a
24-bit plug-in (MAC and PC) for the first time.
This
pristine piano library has finally captured all of the beauty of this
piano. Up to 16 velocity layers, true release samples, true repedalling
and two different microphone positions (close and ambient) for ultimate
ambience control... and best of all: it sounds as good as the real
thing! This Plug-In version comes with 28 programs (9 DRY programs, 9
WET programs (with and without true real-time repedalling), 3 Dry &
Wet layered programs and several FX variations. The bass of this
instrument is absolutely huge with a very focused pitch.
Bardstown Audio Bösendorfer Imperial Grand 24 BiT MULTiFORMAT | 2.17 GB
Format: EXS24 HALion KONTAKTThis 9 1/2 foot concert grand piano is Bösendorfer’s top of the line. The extra lower bass strings give superior resonance to this world class concert grand piano.We have sample recorded this piano in a concert performance hall with four velocities of pedal up, four velocities of pedal down, and release trigger samples. This piano is one and a half gigabytes and is available in Giga, EXS24, HALion and Kontakt formats.
This
9 1/2 foot concert grand piano is Bosendorfer’s top of the line. The
extra lower bass strings give superior resonance to this world class
concert grand piano. There are four velocity layers of pedal up samples,
four velocity layers of pedal down samples, and release note off
samples. The release “note off” samples very nicely capture the ambient
sound of the performance hall in which this Bösendorfer Imperial was
sample recorded. These are all actual sample recorded velocity layers
and without any filtering in order to produce additional “fake” velocity
layers, such has been done by other developers who claim to have eight
to sixteen layer sampled pianos.
Many other current sampled pianos claiming to have eight to sixteen velocity layers have been produced by only sample recording two or three actual velocity layers, and then applying low pass filtering onto those samples in order to produce up to sixteen “fake” velocity layers, and also with only every second or third note sample recorded, and with the rest of the notes being pitch shifted from those notes. Sample editing methods used by these developers who “streamline” their work include batch auto cropping of samples, and a great deal of batch processing for many different processes. These sampling “shortcut” methods are much quicker, easier, and with much less work involved in producing a sampled instrument. The quality of sound of any sampled acoustic instrument, which has been produced with these fast streamlined methods of low pass filtering for producing multiple fake velocities, pitch shifting of notes, auto cropping, and batch proce
Each and every note of the Bardstown Audio Bösendorfer Imperial was sample recorded at all four velocity levels and articulations of pedal up, pedal down, and release, and with no pitch shifting of any notes of nalkxava. In other words, each and every note of the eighty-eight keys on this sampled Bösendorfer Imperial has been sample recorded nine different ways, for a total of 792 recorded samples. All sampled notes on “all” sampled instruments produced by Bardstown Audio have been edited and tweaked by hand, one note at a time, and with no quick streamlining methods or batch processing whatsoever.
The most advanced state of the art recording techniques and world class recording equipment were used to sample record this Bösendorfer Imperial in a world class performance hall.
This sampled Bösendorfer Imperial is considered by the vast majority of people to be the best sounding and most playable sampled piano in the world.
Tonehammer Lakeside Organ EXS24 KONTAKT DVDR
Each
pipe produces sound of one fixed pitch, so they are provided in sets
with one pipe or more per note, each set or stop having a common timbre
and loudness throughout. The Lakeside Organ has multiple sets of pipes
of differing timbre, pitch and loudness which the player can employ
singly or in combination. The actual organ is made from three keyboards,
played by the hands, and a pedal board for bass notes, played by the
feet, each of which controls its own group of stops. We carefully
recorded the organ at a variety of different settings, which allows the
user to control the timbre of the organ. We recorded five different
settings comparably from PP to FF. All settings recorded at two
microphone positions (close/far), so user have ultimately flexibility
between 10 different organ settings. Additionally we realized that many
other organ sample libraries use noise reduction, which gives a more
polished/clinical sound to the organ. We decided to take the opposite
approach and allow all the air sounds in the library, since a variety of
the “noise” is the air produced by the pipes. This means that the organ
has a more full and airy sound (especially in softer settings), which
gives a more emotional expression.
Features:
* 5 Different Organ Settings (Equivalent to PP, P, MP, MF, FF).
* Close and Far microphone positions for all settings.
* All notes on organ sampled (no interval sampling).
* All notes sampled with release triggers.
* Acoustic recording without noise reduction.
* Additional foot basses in forte patches.
* Additional bell/chimes included.
* Additional session recordings, FX, live organ demos and hall sounds.
* Extensive read me install, patch and hint documentation (.pdf) (download here).
* Listen exclusive interview w/ Don Sears, Lakeside Organist / Musical Director (mp3 interview).
* 15 instrument patches, 1,584 samples, 1,75 GB installed, 978 MB .rar download.
* Sample resolution: 44.1Khz/16Bit stereo and stereo .wav format.
* Format(s): Kontakt 2 and .wav (Note: Native Instruments Kontakt 2.2.4 / 3 full stand-alone retail versions required).
BONUS :
Steinberg The Grand VSTi DXi 2.1 INTERNAL - AiRISO | 1.63 GB
Due
to massive popular demand we completely reworked our old driver based
dongle emulator to work together with our new SynsoEmu, we removed the
driver and made it dll-based. All releases have been rebuild, repacked,
updated and made compatible to run on modern operating systems like
Windows Vista/Seven After 10 years of SyncroSoft ownage it%27s time we
move on ... We hope you enjoy this final RETRO summer release ...
The
Grand affords you an experience you?ll not soon forget - the
jaw-dropping sound and inimitable feel of a high-quality concert grand
piano. This VST instrument%27s breathtaking authenticity and
extraordinary dynamic response make it a must-have for every pianist.
Make no mistake - it is the only alternative to a bona fide concert
grand.
Two top-flight concert grand pianos in one virtual instrument
Utterly authentic piano sound that comes courtesy of two of the world%27s finest, most expensive and rarest concert grands
Full-length sustain samples, no loops, with every key sampled individually at varying velocities
Unrivalled dynamic response
Amazingly
authentic sustain pedal resonance, damper and hammer emulations
Velocity adapts individually to suit your touch, style of play and
keyboard%27s response
Powerful options for tweaking tone and variable room simulations
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